The Vigil movie backdrop
The Vigil poster

The Vigil

Say your prayers.

5.8 / 1020201h 28m

Synopsis

A man providing overnight watch to a deceased member of his former Orthodox Jewish community finds himself opposite a malevolent entity.

Genre: Horror, Mystery

Status: Released

Director: Keith Thomas

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Main Cast

Dave Davis profile

Dave Davis

Yakov Ronen

Lynn Cohen profile

Lynn Cohen

Mrs. Litvak

Menashe Lustig profile

Menashe Lustig

Reb Shulem

Malky Goldman profile

Malky Goldman

Sarah

Fred Melamed profile

Fred Melamed

Dr. Kohlberg

Nati Rabinowitz profile

Nati Rabinowitz

Lane

Moshe Lobel profile

Moshe Lobel

Lazer

Spencer Zender profile

Spencer Zender

Eric

Dun Laskey

Young Rubin Litvak

Hershy Fishman

User Reviews

SWITCH.

'The Vigil' explores a dark part of history via some fascinating mythology that is underutilised in modern cinema. It's a shame that an interesting concept for supernatural thriller falls victim to the influence of lazy modern horror filmmaking tropes and clichés. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-vigil-a-rare-excursion-into-yiddish-horror

CinemaSerf

I will admit to feeling just a little uneasy as I walked back to the car after watching this debut from Keith Thomas at 11pm. Dave Davis is "Yakov" who is a bit down on his luck, on some pretty heavy medication, and struggling to get back on track after a fairly traumatic event from his past. A rabbi asks him if will act as a "Shomer" - a person who sits with the deceased to recite prayers and generally ward off any evil before burial. As he watches over the body, the usual spooky things start to happen - lights flicker; things go bump etc; and on that score it's all a pretty routine horror flick; but as his fears start to build, he begins to confront his own demons as much as he must the predatory "Mazzik" that feeds from his fears. Save for a few short appearances from the widow - Lynn Cohen, it's essentially a single-hander and Davis does an OK job - aided by the drearily-lit room and some suitably tense - if frequently over-the-top musical accompaniment. It's not exactly scary - but it's still a decent effort based on a source of legend rarely exploited by Hollywood. Best seen late at night when it's dark outside, I'd say...

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