Day for Night movie backdrop
Day for Night poster

Day for Night

A movie for people who love movies.

7.8 / 1019731h 56m

Synopsis

A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.

Genre: Comedy, Drama

Status: Released

Director: François Truffaut

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Main Cast

Jacqueline Bisset profile

Jacqueline Bisset

Julie Baker

Valentina Cortese profile

Valentina Cortese

Séverine

Dani profile

Dani

Liliane, the Trainee Script Girl

Alexandra Stewart profile

Alexandra Stewart

Stacey

Jean-Pierre Aumont profile

Jean-Pierre Aumont

Alexandre

Jean Champion profile

Jean Champion

Bertrand, the Producer

Jean-Pierre Léaud profile

Jean-Pierre Léaud

Alphonse

François Truffaut profile

François Truffaut

Ferrand, the Director

Niké Arrighi profile

Niké Arrighi

Odile, the Makeup Artist

Nathalie Baye profile

Nathalie Baye

Joelle, the Script Girl

User Reviews

CinemaSerf

It's quite hard to succinctly review this Truffaut comedy - there is just so much going on. Essentially, Jacqueline Bisset ("Julie") is brought to Nice to star in a movie about a British woman who is married to a Frenchman. She comes to meet his family and promptly falls in love with her husband's father and so leaves him to shack up with his dad. It turns out, as the production progresses that the producer "Bertrand" (Jean Champion) and the director "Ferrand" (Truffaut himself) have to deal with an whole gamut of issues as the cast - all assembled in a small hotel - come with more baggage than the Queen Mary. "Julie" is recovering from a failed marriage and a nervous breakdown; "Séverine" (Valentina Cortese) is having an affair - but with a bottle, and Jean-Pierre Léaud steals the film as the petulant and high-maintenance "Alphonse". It reminded me a little of Fellini's "8½" from ten years earlier, another behind the scenes as a movie is made story - but it could hardly be more different. Here, the cast and the crew could not have been more dysfunctional - a trait of the creative, I believe - but in the end somehow or other there is a chance the film might actually get made! It is good fun, and the odd contribution from Jean-Pierre Aumont help keep this 2 hour extravaganza moving along entertainingly. Georges Delerue's jaunty score compliments the lovely open-ness of this production, and I really enjoyed this film.

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